EVERYONE.405

A REPLICABLE MODEL FOR CREATOR-CENTERED MUSIC INFRASTRUCTURE

24 ARTISTS

50% ARTIST PROFIT SHARE

GROW AUDIENCE DEMAND.

NOT ARTIST OBLIGATIONS.

EVERYONE.405 CREATOR ECONOMICS

$11K $28K $248K $487K $691K
Projected
2 LA live + 1 LA premium
TOTAL GROSS REVENUE
$352,750
DIRECT OPERATING COSTS + OBLIGATIONS
−$104,489
QUALIFYING PROJECT VALUE
$248,261
PER-ARTIST PROFIT SHARE
$5,172
Equal-share equivalent across 24 artists from the protected 50% Artist Profit Share.
LIVE PERFORMANCES
$62,800
PREMIUM EXPERIENCES
$250,000
DIRECT SALES
$39,950
LICENSED SHOWS
$0

Why it Compounds

1 ALBUM RECORDING

1 HOME CITY

3 TRAVEL CITIES

8 ORIGINAL SHOWS

Each album adds new music, artists, audience relationships, and catalog value. Each city adds a potential recurring licensed market — allowing the framework to grow without increasing the original ensemble’s obligations.

The objective is not only to retain and compound the value of the cultural asset. As the platform grows, that value can create additional economic and operating capacity for participating artists, future city-based collaborators, local creative networks, and the infrastructure surrounding the music.

The Sound

21 SOL ROCK DEMOS

10 SONG ALBUM

24 ARTISTS

4 OF 21 DEMOS

Best Life (Demo)
Everyone.
Villain to Who (Demo)
Everyone.
Smooth Lady Cool (Demo)
Everyone.
No Space (Demo)
Everyone.

What becomes possible when cultural ownership is used not only to retain value, but to build capacity around it?

LET’S CONNECT

Lawrence Clinkscale III | Founder

everyone.music333@gmail.com

(323) 405-4364